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Guitar Lessons on DVD

The Weekly Guitar Challenge

Riff Using the Whole Tone Scale

Guitar Note Names

Welcome to the 5th Weekly Guitar Challenge! 
Today's Challenge is a riff played using the Whole Tone Scale.  The Whole Tone Scale is a very interesting scale since it is made up entirely of whole tones.  In other words, every note is spaced by one whole step.  The Whole Tone Scale is made up of 6 tones.  It can be used for a very interesting dissonant effect, or for modulation between keys.   You could also write a chord progression using only notes from the Whole Tone Scale, and write a solo or melody to match it.  This has a very dark and strange quality to it.

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Dan Mumm

The Whole Tone Scale
Technically there are only two different Whole Tone Scales that can be played.  Even though you may start on any of the 12 notes we use in western music, every other "scale" you end up playing will be made up of the same 6 notes.   This makes perfect sense when you consider that you are skipping over one note in between each note of the scale.  So basically, when you are playing one of the two scales, you are skipping every note of the other.   If you think about it, a 6 tone scale that skips every other note, if you combined the 2 different Whole Tone Scales you would have the Chromatic scale. 

For those of you who are more versed in music theory, another interesting point about the Whole Tone Scale is the limited number of unique chords that can be played within it.  There actually only 2 unique triads that can be played in the Whole Tone Scale. This is because the notes of a chord that are played on the 1st scale degree are the same as those played on the 3rd and 5th scale degrees.  It’s the same with the 2nd scale degree being repeated on the 4th and 6th scale degrees.  So all chords played with a root on the 3rd to 6th degrees are actually just inversions of the 1st and 2nd chords.  All triads found in a Whole Tone Scale are Augmented.

Since the Whole Tone Scale can be played starting on any note without changing the pattern, there is virtually no tonic, eliminating convential leading tones and tension to resolve.  And since there are no perfect 5ths in a Whole Tone Scale the standard dominant does not occur.  From a composition stand-point, this makes the Whole Tone Scale appear extremely limited.  But in actuality, with a bit of creativity the possibilities are endless.

Forum Discussion
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DVD Guitar Lessons
Dan Mumm is the creator of three popular guitar instructional DVDs:
Fret Touch Mechanics : Sweep Pick Mechanics : A Glimpse Beyond Shred Guitar



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